Aavesham Movie Review: Fahadh is the soul of excitement. Fahadh fills the screen with body language and never-before-done action scenes.
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| Fahadh Faasil in Aavesham Movie |
Aavesham Movie Review: Jeethu Madhavan's second film with a very simple name 'Aavesham' comes at a time when Malayalam movie names are getting weird. Like the name, the intention of the movie is to Aavesham (in English 'Rage'). In very simple terms Aavesham is an attempt to reach the audience as the mass title of a festive action movie. The only purpose of the movie is to excite. That goal has been achieved to some extent.
The city of Bangalore is a land of thrills as well as thrills. Aavesham is the story of Rangan and his team, who come to study at Bangalore Engineering College and are drawn into their lives unknowingly. Although apparently a mass action film, the possibilities of spoof, coming of age, and magical realism are open to the audience. At the same time, the film does not deviate from the high on action package. There was speculation that it would be a sequel to the thriller, but the thriller bears no apparent resemblance to it. But the characters in the film have a caricature like that of Romancham. There is a little more such possibility for the characters seen in Aavesham.
Passion doesn't have a story that can be told in a very simple one-line. It is not a systematic structure or script that drives the Aavesham. The action choreography and background music are more prominent than this in many places. For those who are familiar with such spectacles, the thrill is a fun experience in theater viewing.
Fahadh Faasil's Rangan is a character he has never done before. Fahadh fills the screen with body language and never-before-done action scenes. Rangan is a different kind of gangster character that has been written recently, even though it reminds him of Rajamanikya at some points. The dialogues between Ranga and Amba often reminded me of Vikraman and Muthu in Balarama. Such a caricature has been interestingly presented in many places. Hipster, Mithun Jayashankar, Roshan Shanawas, and Sajin Gopu also graced the screen to the tune of excitement.
Bangalore City is generally a rich, opulent experience in Malayalam cinema. But in both Jeethu Madhavan's films, the subject is the survival of the average Malayalees who go there. The applause the films get is a chance to connect with the generation living in such a city. Even comedy is written with such a genre in mind. The audience that the director has targeted here is the same category that Romancham won. The second half loses the touch of the first half in some parts. In between, the script's laxity was seen on the screen.
Jeethu's productions are a new generation representation of spoof movies, action scenes, and comedy that comes through Instagram. For those who like that possibility, it will be a movie that will not disappoint the theater viewing. Along with that, the movie successfully achieves the goal of creating a theater crowd.